ABOUT THE INPOST ARTSPACE
The Inpost Artspace has been presenting exhibits since 1996 making the Visual Arts a vital part of the Outpost experience. Over the years, more than 300 New Mexico based artists (and beyond) have shown their work on these walls. In 2015, the Inpost Artspace inaugurated a relationship with the University of New Mexico College of Fine Arts and welcomed Department of Art and Art History Faculty Member, Meggan Gould & MFA Candidate, Kacie Smith as our co-curators of the Inpost Artspace. In 2017 Erin Galvez took Kace's Smith's place when Kacie received her MFA.
Meggan Gould is a photographer living and working in Albuquerque, New Mexico, where she is an Assistant Professor of Art at the University of New Mexico. She received her MFA from the University of Massachusetts - Dartmouth, and her BA from the University of North Carolina at Chapel Hill. Her photographs have been featured in solo and group exhibitions throughout the United States and internationally.
Erin Galvez received her Bachelor of Arts degree in Studio Art from California State University Sacramento with an emphasis in printmaking. Currently Erin is a Teaching Assistant and working towards her MFA in Painting and Drawing at the University of New Mexico, Albuquerque.
For more information please contact: firstname.lastname@example.org
Gallery hours: Exhibit may be viewed during Outpost box office hours (M-F 2-5:30pm), during Outpost Performances, or by appointment.
Reception: June 2, 5 - 7pm (First Friday ARTScrawl)
We Began To See Things Whole: Photographs from the Cottonwood Gulch archive
The Inpost Artspace is pleased to present a selection of historical photographs chronicling early days of Cottonwood Gulch, an expedition program that has run in the Southwest since 1926. The Cottonwood Gulch was founded by a teacher from Indiana who led educational summer treks throughout the Southwest. Traveling in a caravan of Model T station wagons, they sought “the remote and generally unknown wilderness regions” to experience a simple life, if only for the summer. The Trek represents a unique experience of place and time -- stepping into unfamiliar lands and cultures, being humbled by geologic time, playing off the lore of the Old West, passing down strict traditions of keeping camp. Deep in the Gulch archives are a trove of logbooks and photographs chronicling the history of these expeditions and the evolving cultural landscape the trekkers studied. Co-curators Meggan Gould and Kacie Smith are excited to introduce highlights from the archive as stories of the outdoors, discovery, friendship, and problem-solving.
Exhibition: May 22 - June 24, 2017
Reception: Sunday, July 16, 2-4pm
The Music and the Muse: Prints by Reginald Gammon
Curated by Dr. Kymberly Pinder, Dean UNM School of Fine Arts
presented in partnership with the University of New Mexico Art Museum, UNM School of Fine Arts, & the African American Performing Arts Center
Reginald Gammon (1921-2005), originally from Philadelphia, moved to New York City in 1951. He taught in the New York public schools and for 21 years at Western Michigan University. When he retired to New Mexico in 1992 he became active in the arts scene here. Gammon’s paintings and prints often explore aspects of African American life and history. He was a member of the black artists’ collective, Spiral, with Romare Bearden, Norman Lewis, Hale Woodruff and Emma Amos, among others. He was an avid jazz fan and saw many concerts in New York. Gammon made his own bold interpretations of such artists such as Bessie Smith, Louis Armstrong and Lester Young performing. The expressiveness of his lines and color suggest the sounds and cadences of the performances represented on these silent sheets of paper. The juxtaposition of his sensuous nudes with the jazz portraits in this exhibition reflect the multisensory element of jazz syncopation. Gammon once said, “The human physiognomy is as great a landscape as you can find or as great a still life as you can find.” These prints were created at New Grounds Print Workshop & Gallery in Albuquerque located just blocks from the Outpost. Gammon was a founding member of New Grounds in 1996. While in New York the artist had worked as a commercial artist, painter and printmaker. Known mainly as a painter, Gammon revived his interest in making prints when he moved to Albuquerque. In 2007-8 New Grounds Gallery and the Albuquerque Museum and the African American Performing Arts Center held exhibitions to honor Gammon and his legacy. In 1997 Gammon showed in the original Inpost Artspace Gallery at the old Outpost on Morningside Dr. Dr. Kymberly Pinder, dean of the College of Fine Arts at the University of New Mexico has the curated this show on the 20th Anniversary of Gammon's last Inpost Artspace show.
EXHIBITION DATES: July 9 - September 30
Reception: Sunday, April 30, 4 - 6pm
P R I N T // M A K E :: UNM Printmakers Exchange Portfolio
P R I N T // M A K E features original artwork by University of New Mexico printmakers who use traditional processes such as woodcut, lithography, etching, and serigraphy. The exhibition coincides with Arts Unexpected and a new, student-led Printmaking Symposium -- a series of events celebrating Printmaking at the University, including archive tours at the Center for Southwest Research, UNM Art Museum, and Tamarind Institute, as well as live demonstrations at the Graduate Art Annex. The collection displays the breadth of editions the artists printed for the exchange.
Exhibition Dates: April 18- May 20, 2017
Jessica Marie Gross
Kacie Erin Smith
Reception: March 3, 5 - 7pm (First Friday ARTScrawl)
Obsolescence and Opulence: Recent works by sheri crider
This event is part of Women & Creativity Month
The Inpost Artspace is delighted to present a solo exhibition of new work by Albuquerque artist and curator, sheri crider. Crider’s current body of work examines our culture’s fascination with bright, shiny things. This series of paintings and sculpture oscillates from imagery of multi-billion dollar construction projects to still-life imagery of personal collections of trinkets and debris from landfills, deftly combining real and imagined spaces.
Exhibition Dates: February 27 - April 16, 2017
Opening Reception: Friday, February 3, 2017, 5 - 7pm
BY A THREAD
Diversity, subtlety and tradition are celebrated in this exhibition of weavings by Elizabeth Buckley, Mary Rawcliffe Colton, Cindy Dworzak, Naomi Julian, Dan Klinglesmith, Cristine Posner, Eric-Paul Riege, Nick Clifford Simko, Jaye Whorton and Nancy Wohlenberg. In hand-dying yarn, weaving upside down on a French jacquard loom, or collaborating with a commercial loom, each of these local artists finds unique inspiration in their process. The textiles represent the urge to bring things together and reinvigorate the ancient human activity of weaving.
EXHIBITION DATES: January 16 - February 25, 2017
Opening Reception: Sunday, November 13, 4-6pm
Outpost Members Exhibition
Outpost’s biennial Members Exhibition celebrates the creativity of our community and features a curated selection of contemporary, regional artists working in 2D mediums. This Members Exhibition features work by Edna Casman & Chuck Dunbar; Carol Chamberland; Sharon Eldridge; Linda Holland; Julianna Kirwin; Candy Nartonis; Louis Ocepek; Diane Orchard; Cody Saint Arnold; Dianne Schlies; and Risa Taylor.
EXHIBITION DATES: November 7, 2016 - January 14, 2017
Opening Reception: Friday, September 2, 5 - 7pm
Noah McLaurine: [Tension Building Music]
[Tension-Building Music] presents the recent work of Noah McLaurine, who has been exploring and photographing public lands and monuments in New Mexico since moving from Brooklyn two years ago. McLaurine’s curiosity about the natural and cultural forces that shape the unique landscape have led him to revel in the ubiquitous signs of erosion and change: the subtle marks a plant makes in the sand, enigmatic shards of metal and detritus, weather patterns hinting at atomic explosions. Wrestling with cultural artifacts surrounding Los Alamos and the Trinity Site, McLaurine notices the mountains rising in the distance, shaped by thousands of years of rain and wind, some of the only witnesses to the abrupt and radical transformation of the test site. His work highlights evidence of erosion both gradual and abrupt, how boundaries have been drawn and redrawn, and stories relentlessly written and rewritten.
Exhibition dates: August 29 - November 5, 2016
Opening Reception: Sunday, July 17, 2 - 4 pm
OFF THE RECORD: Artwork inspired by the jazz vinyl collection of Tom Dodson
Off the Record features a selection of 36 jazz record covers representative of American jazz history, with accompanying responses to the albums by local artists Lea M. Andersson, Karsten Creightney, Arden Hendrie, Karl Hofmann, Emily Howe, Hollis Moore, Reyes Padilla, Jackie Riccio, and Kacie Erin Smith. The invited artists each selected one album to use as inspiration for their own visual response. The album selection was chosen by Albuquerque’s Thomas Dodson, who has collected approximately 1,000 LPs over the last sixty years. For Thomas, “Cover art brings to mind the recordings, as documents of specific performances, which in turn allow us to recall memories, both musical and non-musical ... When I listen to them, I marvel at the artistry of these musicians and I am reminded of the contexts in which they were created.” The digitized collection of album covers can be see at http://tomsvinylcollection.tumblr.com/
This exhibit coincides with the 11th Annual New Mexico Jazz Festival, which runs July 14 - 31 and features local as well as world-renowned artists and jazz masters. Following the reception of Off the Record, the Outpost will host a free screening of Charles Lloyd: Arrows Into Infinity from 4-6pm, a documentary about NEA Jazz Master, saxophonist, Charles Lloyd.
Exhibition Dates: June 27 - August 28, 2016
Opening Reception: Friday, June 3, 5-7 pm
An Island Emerging: drawings by Kaelen Green
The Inpost Artspace is pleased to exhibit An Island Emerging, selected works from Kaelen Green. Her graphite drawings convey haunting, dream-like narratives, highlighting her ability to render imagined spaces with stunning precision. Through detail that reminds us of our own familiar reality, she admits us into lyrical and surreal creations, placing the viewer in emotional landscapes and among compelling figures. Based in Santa Fe, Green is currently developing an illustrated novel, a visual and narrative mythology that unfolds on an island of mysterious origin called Asphodel. The exhibition will include a number of works created for her forthcoming book.
Exhibition Dates: May 2 - June 25, 2016
Opening Reception: Sunday, March 6, 4 - 6 pm
Surface City: Jazmyn Crosby and Tamara Zibners
Surface City showcases works by Albuquerque artists Tamara Zibners and Jazmyn Crosby, who represent the streets of Albuquerque and power of the surface in distinct ways. Through a transfer process, Zibners removes the photograph from its paper support, stretching and reshaping the emulsion, teasing it to a point between crumpled detritus and precious object. Crosby builds up relief prints through the tread marks of relentless automobile traffic, also asking us to question the delicacy and specificity of the image. Reflecting a curiosity about their surroundings, the artists present us with the tension between the crudeness of the images’ provenance and the resultant works of monumental, and surprising, beauty.
Exhibition Dates: March 1 - April 30
Opening Reception: Friday, December 4, 5 - 8pm
Season Evans, Katie Ford, Rachel Hayes, Joanna Keane Lopez, Sarah Vosmus
HILO is an exhibition of contemporary textile artists from across the country. Textiles have the power to draw us in: reminding us of the familiar and functional, reflecting community and surroundings. The artists play with these connotations through diverse and innovative methods of making. From weaving from hand-spun wool to constructing translucent vinyl banners and elegant bed-sized compositions, the artists draw from traditions in ways that are decidedly their own.
Exhibition Dates: November 23 - January 31
Opening Reception: Friday, November 6, 5-8pm
Inpost Artspace Reception: Albuquerque High School Art Show
In collaboration with Albuquerque High School art teachers Lisa Gillet, Catherine Eaves and Anne Hayes, the Inpost Artspace is proud to support our local art teachers and students by hosting the “Albuquerque High School Art Show.” This art show will exhibit a handful of paintings, drawings and photographs created by advanced artists that attend Albuquerque High School. The “Albuquerque High School Art Show” will be displayed from October 26th – November 22nd during box office hours M-F 2:00-5:30pm with an opening reception on Friday, November 6th from 5:00-8:00pm. The reception is a free event and is open to the public.
Exhibition Dates: October 26–November 22
Friday October 2, 5-7pm
Inpost Artspace Reception: Hiraeth: Katelyn Bladel and Eugene Ellenberg
During September and October, the Inpost Artspace will present the work of Katelyn Bladel and Eugene Ellenberg, both MFA candidates at the University of New Mexico. Originally from Minnesota, Bladel’s current work leads her to rural, abandoned homes in search of fragments of what once was. Across county lines and after days spent on the road, her documentation and experience of these spaces are recontextualized through various media to create a narrative and instill value in these homes once again. Ellenberg, a native to South Carolina, uses image-based media to explore obstacles of intimacy as experienced throughout the human condition. His own fears, failure and wonder inform a creative inquiry into private and communal spaces to unveil vulnerabilities, address hesitations and encourage curiosities. The universal themes examined by both artists serve as quiet reminders of places we cannot return to, experiences imagined and yearnings unfulfilled.
Exhibition Dates: September 4-November 1
Saturday, July 12, 2 - 4pm
Inpost Artspace Reception: Paintings By Jonathan Baldwin: A Retrospective
Jonathan Baldwin is renowned in Albuquerque for his work as a musician and Radio personality. A cornet player who played with bassist, Zimbabwe N’Kenya, J.A. Deane’s improvisational ensemble, Out of Context and others, he also has been a longtime DJ for KUNM’s All That Jazz (Fridays). What a lot of people do not know is that for more than 50 years Jon Baldwin has pursued another passion as well – painting. Born in Mt Kisco, New York, he attended the Mannes School of Music, but it was the New York City art and music scene where he says he got his “real education.” It was the 60’s... Ornette Coleman was playing at The 5 Spot Café (and turning the New York jazz scene on its ear), and artists like Jasper Johns, Robert Rauchenberg and Frank Stella were changing the mainstream of painting. Inspired to create his own collages and paintings, he met up with the “Park Place” artists through various Free Jazz sessions and began showing his work (at the Park Place Gallery, at M.I.T., and in Denver, Colorado). Over the years, and after a series of relocations (Colorado, San Francisco, Taos), Baldwin’s paintings have changed and shifted, depending on his inspirations and locales. When he settled in Albuquerque in the late 70’s, he was painting ‘specific’ landscapes inspired by his own surroundings and by the eastern Long Island painters, Fairfield Porter and Jane Frielicher. Later, he moved to more abstract geometric paintings inspired by Picasso’s “weeping women” series and Richard Diebenkorn’s “Ocean Park” series. In his artist statement, Baldwin writes, “I like the dichotomy that exists between the painting as an object and the integrity thereof and the transcendental quality of color and line creating light and visual pleasure.” This exhibit is a retrospective which brings the scope of Baldwin's work to the eyes of many who have never seen it before.
Exhibition Dates: July 12 - August 30, 2015
Saturday, June 13, 5 – 7pm
Inpost Artspace Reception: Joshua Willis: ADAPTATIONS
Joshua Willis constructs low-relief paintings combining scrap metals, wood, and corrugated plastic, informed by the landscapes of his native of New Mexico. The colorful structures reflect the practice of seeking a balance found in natural systems. This new body of work integrates artifact, form and color into adaptable narratives of time, place and aesthetics.
Joshua Willis is a mixed media artist, integrating materials to explore properties of balance, harmony and diversity found in healthy landscapes. He received his BFA from University of New Mexico and studied at The Glasgow School of Art and Architecture in Scotland. Willis has shown extensively in New Mexico and formerly coordinated sustainability programming for the City of Albuquerque Open Space Division. See more of his art at: http://www.jwillisart.com/
Exhibition Dates: June 12 - July 4, 2015
Friday, February 6, 5 - 8pm
Inpost Artspace Reception: Gone Fishing: New Works by Heidi Pollard
This exhibition is part of the citywide collaboration On the Map: Unfolding Albuquerque Art + Design www.ABQontheMap.com
Gone Fishing features new gouache paintings on paper and shaped museum board. The images in this exhibition explore visual improvisation, contemplation and the joy of throwing a line in the water to see what's there... Heidi Pollard lives and works in Albuquerque, NM and also has oil paintings on exhibit at the OASIS Institute in Albuquerque. She has received grants from the Adolph and Esther Gottlieb Foundation and the Pollock-Krasner Foundation; she has attended artist residencies including Headlands Center for the Arts, California; the CUE Art Foundation in New York; and from 2010 to 2011 the Roswell Artist in Residence Program, Roswell, NM.
She has exhibited widely in numerous galleries and museums throughout the US. Her work has been reviewed and appeared in the New York Times, Art New England, THE Magazine, and by Peter Plagens in Newsweek on line. Further information and images of the artist's work are available at heidipollard.com.
Exhibition Dates: February 6- March 28
Friday, November 7, 5 - 8pm
Inpost Artspace Reception: Second Hand Plants: new works by Christa Dalien
Working in a variety of mediums including installation, drawing, painting, and printmaking, Christa Dalien’s art explores the diverse relationships and interactions that we have with our surroundings. She is interested in folklore and mythology used to explain and interpret the unexplainable. Dalien searches through the tangible landscapes and structures that often show signs of wear, human impact and mystery, then reconstructs them into a visual emotional language. Christa Dalien is an artist and educator currently living in Santa Fe, NM with her husband, son and 2 cats. Her studio practice includes a variety of different mediums including installation, drawing, painting, and printmaking. Originally from Minnesota, she received her BFA in Painting in 2003. She received her MFA in printmaking from the University of Kansas, in 2007. She currently teaches Art History (remotely) for Washburn University in Topeka, KS and stays home with her son Arlo.
Exhibition Dates: November 7 - December 12, 2014
Inpost Artspace Reception | Friday, September 5, 5-8pm
my little dust
“...a place where life, and love, is reaffirmed through the act of painting.” - Arthur Peña, New American Paintings, Dallas Contributor.
Artist Raychael Stine and curator Nancy Zastudil present an exhibition of Stine’s paintings that make visible—literally, picture—experiences, memories, and the passing of time. The selection of works translates the general appeal of Stine’s personal commitment to specific things: paint and its possibilities as material and image, the physical intimate experience of looking at and making paintings, and relationships that are based on an exchange between looking and touching. Through her use of color, scale and proximity, Stine depicts her dedication to the ‘thing’ of painting—what it is to re-construct, not de-construct, an experience.
Raychael Stine received her MFA from the University of Illinois at Chicago in 2010 and is currently an Assistant Professor at the University of New Mexico. She has shown in California, Illinois and extensively throughout Texas including solo shows at Art Palace in Houston, TX and Eugene Binder in Marfa, TX. In 2009 Stine was a Joan Mitchell Foundation Award Nominee and in 2013 she participated in the Bemis Contemporary Arts Center Residency. In 2008 Stine was Jurors Pick in New American Paintings #78, Western Exhibition. http://raychaelstine.com
Nancy Zastudil is an arts administrator, writer, and itinerant curator whose current work focuses on social progress through philanthropy and entrepreneurship in the arts. Currently, Nancy is Administrative Director of the Frederick Hammersley Foundation, co-administrator of The Lightning Field, and monthly visual arts contributor to Arts and Culture Texas. Her most recent endeavors include Show Up Show Down, and in Summer 2014, she will open two art exhibition venues in downtown Albuquerque, NM: Pacific Exhibits (June 2014) and Central Features (Fall 2014). She is Editor and Project Manager of the Mitchell Center’s 10 year anniversary publication (forthcoming), Co-Editor of On the Banks of Bayou City: The Center for Land Use Interpretation in Houston (March 2009) and has been published in edible Santa Fe, Arts and Culture Texas, Dance Source Houston, Temporary Art Review, Artlies, and more. Nancy holds a Bachelor of Fine Arts in Painting and Drawing from The Ohio State University and a Master of Arts in Curatorial Practice from California College of the Arts. She was born and raised in Columbus, Ohio. http://www.thenecessarian.com/
Exhibition Dates: September 5 – October 31, 2014
BLUESOLOGY: WORKS BY JEFF SIPE & GREG TUCKER
Two artists, Greg Tucker and Jeff Sipe, explore the connections between music and visual arts as their shared interest in both Blues and Jazz serve as an integral component to their dynamic artistic practices. Jeff Sipe is an award winning folk artist and blues musician from Albuquerque. When he's not playing bass in local blues bands he's creating folk art in his converted garage. His work has shown in exhibitions and galleries in New Mexico, Arizona, Washington D.C., Texas, Georgia, Mississippi, California, Switzerland and Australia. His art has appeared in Shaman's Drum Magazine, Santa Fe Magazine, The Collector's Guide and the Mind Science Journal and he's designed numerous CD covers. Sipe was born in the small farming community of New London, Wisconsin but has lived most of his life in the Southwest. The sights and sounds of blues bars and juke joints and the colors and flavors of border culture are the main influences on his art. Greg Tucker has work in the permanent collections of the Museum of Art of Albuquerque and in UNM's Fine Arts Museum. As an illustrator, his work was published by the Dallas Morning News, Philadelphia Inquirer, Psychology Today, Bloomberg Financial Magazine, Utne Reader, Village Voice, Salon Online, Harcourt Brace and many more. His illustrations have won many awards and have been included in many professional annuals, including the internationally prestigious Graphis Design Annual. His work is represented by the Mariposa Gallery in Albuquerque.
Exhibition Dates: July 13 - August 29, 2014 | Opening Reception: Saturday, July 13, 2014 (2-4pm)
Abstractions: Leslie Holland & Chandler Wigton
Abstractions features two artists engaging in a singular dialog concerning the artistic process as an exploration of contradiction, relationship and mystery through the lens of abstraction. Leslie Holland (Santa Fe) and Chandler Wigton (Durango) offer two separate bodies of work that together, seeks to shed light on the individualist approach to painting.
Exhibition Dates: May 3 – June 27, 2014 | Opening Reception: Saturday, May 3, 2014 (5-8pm)
Material Worth: Kate Carr, Jane Lackey and Natalie Smith
This event is presented as part of Women & Creativity month
Click HERE for the full Women & Creativity schedule
Material Worth examines the multifaceted approaches of artists Kate Carr (Santa Fe), Jane Lackey (Santa Fe) and Natalie Smith (Albuquerque) as they explore material fluency through the transformation and re-contextualization of everyday, utilitarian objects. Using media and techniques often associated with craft practice, these artists seek to engage the viewer through a variety of complex and unexpected processes while simultaneously, preserving and elevating the integrity of their materials. www.womenandcreativity.org
Exhibition Dates: March 8 – April 25, 2014 | Opening Reception: Saturday, March 8, 2014 (5-7pm)
Black and White
Exhibition: January 3 - February 28, 2014 | Opening Reception: Friday, January 3rd, 2014 (5-8pm)
Inpost Artspace and Albuquerque-based artist Karsten Creightney are pleased to present, black and white, an exhibition of recent prints that explore themes of loss and renewal. As an insightful contrast to his carefully chosen colorful juxtapositions that typically pervade his paintings and prints, the work in black and white, references his interest and inspiration with more minimal, German expressionist relief prints. Highlighting the stark yet elegant qualities of color in its most reduced forms, these works both celebrate and attempt to capture and recreate that same raw, direct nature of the mark making process and invite the viewer to contemplate their beauty. FREE
Karsten Creightney received his BA from Antioch College and MFA from the University of New Mexico. His work has been exhibited nationally at the Fort Wayne Museum of Art, Detroit Institute of Art, Flint Institute of Art, and the Springfield Museum of Art. His work resides in both national and international collections. He currently teaches intermediate and advanced printmaking at the Institute for of American Indian Arts in Santa Fe. www.creightney.com
The Happiness Project:
New Paintings by John Phillip Abbott
January 4 - February 22, 2013 | Opening Reception: Friday, January 4th, 2013 (5-8pm)
The Inpost Artspace presents The Happiness Project, in partnership with 516 ARTS and the Harwood Art Center. Marking the first exhibition for the Inpost Artspace’s 2013 visual arts programming schedule, The Happiness Project features new work from the Albuquerque-based artist John Phillip Abbott. As an abstract painter, Abbott explores the associations that arise with text and language as a narrative building device through the spontaneous process of additive and subtractive mark making. By embracing the unexpected, his typographic meditations are at once cryptic, and yet all together familiar; His process centers on developing a visual language that operates between the space of what is read and seen. The Happiness Project is on view through February 22, 2013.
The Magnificent Void:
Paintings by Heather Bingham, Stacey Heim, & Celeste LaForme
Presented in partnership with Women & Creativity 2013
As a meditative process, Zen masters have long contemplated the notion that the space between objects can hold more meaning than the objects themselves. The Magnificent Void features the artwork of three Albuquerque-based female artists whose work uses line, shape, and color to explore concepts of space and what lies between.
Exhibition Dates: March 2 - 29, 2013 | Opening Reception: Saturday, March 2, 2013 (5-8pm)
Portraits, Objects & Environment:
Bosque School & Sandia Prep Photographic Collaboration
High School students from the Bosque School and Sandia Prep use photography to explore concepts of personality, identity and notions of self through portraiture. Using the Bosque as both a shared experience and neutral surrounding, the students collaborated with partners they had just met to photograph themselves/each other using objects of personal significance to facilitate their examination of assumed or superimposed personalities.
Exhibition Dates: April 5 - 26, 2013 | Opening Reception: Friday, April 12, 2013 (5-8pm)
Near & Far: Photographs by Erin Parker
ArtsCrawl First Friday Night
Erin Parker captures the delight in the unexpected. As a seasoned traveler and photojournalist, Parker’s journeys have taken her around the globe and across six continents. Near & Far is a collection of images arising from Parker’s innate curiosity as a photojournalist along with explorations of her life behind the camera lens.
Exhibition Dates: May 3 - June 28, 2013 | Opening Reception: Friday, May 3, 2013 (5-8pm)
Jazz At Half Moments:
Some Jazz Photographs by Mark Weber
Mark Weber is a writer who sometimes takes pictures. Trained in photography under Jeff Cole at Upland High School, (40 miles east of L.A.) he covered the Los Angeles jazz scene for CODA from 1976-1986 (and thereafter from other locales around the U.S.). He has been the Thursday jazz host on KUNM for seventeen years. His deposit of 10,000+ photos and hundreds of interviews are at UCLA in the “Mark Weber Archive of Blues & Jazz” collection. See his website JAZZ FOR MOSTLY for essays and photos. Technical support and enthusiasm for this show provided by Cal Haines and Janet Simon. Describing the photographs for this show, Mark says, “It seems like something that has always been here, but it hasn’t, it resides in the future and we only glimpse it’s full meaning in fleeting intervals, a coiled arpeggiated chord, a horn like the distant freight train across town, a saxophonist passing through whose name you didn’t catch, played the jazz that relaxed the clock, set time down for a little talk, not so important except it is good to anticipate the eventuality....”
Exhibition Dates: July 5 - August 30, 2013 | Opening Reception: Sunday, July 14th, 2013 (4-6pm)
Power Line: Recent Paintings by Nina Elder
Nina Elder’s paintings are objective contemplations of fracking structures, hydroelectric dams, telecommunication towers, airports and military bases. Painted in a style that is as coolly engineered as the industry that they represent, this disarmingly beautiful body of work quietly poses questions of human industriousness and our dominion over natural landscapes.
About the artist: Nina Elder is a painter, drawer, construction worker, and farmer. She grew up in the Rocky Mountains of Colorado and New Mexico where she cultivated a curiosity about gravel pits, mines, and lumber mills. Her work examines the visual evidence of land use in the American West and its cycles of production, consumption, and waste. After earning her MFA from the San Francisco Art Institute, Nina returned to northern New Mexico where she co-founded an off-the-grid artist residency program called PLAND: Practice Liberating Art through Necessary Dislocation. Through paintings, drawings, and installations, she endeavors to illuminate that the contemporary landscape is the physical manifestation of modern needs, economies, policies, and powers. Nina’s work is exhibited and collected nationally, and has been included in publications such as Art in America and New American Paintings.
Exhibition Dates: September 6 - October 25, 2013 | Opening Reception: Friday, September 6th, 2013 (5-8pm)
Outpost Member Exhibition
The Outpost Performance Space and Inpost Artspace are pleased to announce the Bi-annual Outpost Member Exhibition. The Outpost Member Exhibition celebrates the creativity of our community. The Inpost Artspace has been actively supporting local and regional artists for over 15 years and plays an important role in fostering the visual arts in Albuquerque. The exhibition features a juried selection of the Outpost’s many creative individuals and highlights the collective wealth that exists amongst it’s diverse audience.
Participating Artists: (click artists' names shown in red to learn more about them) Maude Andrade, Richard Borkovetz, Jill Christian, Scott Ernst, Carla Forrest, Jim Gale, Beanie Kaman, Frank McCulloch, Candy Nartonis,Alan Paine Radebaugh, Robert Reck, Benjamin Roe Jr., Valerie Roybal, Hank Schuyler & Susan Zimmerman
Exhibition Dates: November 1 - December 20, 2013 | Opening Reception: Friday, November 1st, 2013 (5-8pm)