What’s more uncanny: the lonely, decaying rural home or the sexy, neglected urban housewife? Reside (Rewind) steps into the post-documentary works of two very different photographers. Steve Bromberg’s images ricochet past happenstance snapshots and land at cool, often cheeky moments. Alison Erazmus’ work creeps silently down rural roads past shuttered windows, and all at once captures glimpses of lives lived behind them. They begin and end at different places, but along the way create visceral documents. Whether they are serene or scandalous, naughty or plain, depends entirely on the viewer.